Lot 6002 A fine and rare Ru-Imitation celadon-glazed narcissus bowl, Seal mark and period of Yongzheng | 清雍正　仿汝釉水仙盆　《大清雍正年製》款

A fine and rare Ru-Imitation celadon-glazed narcissus bowl, Seal mark and period of Yongzheng | 清雍正　仿汝釉水仙盆　《大清雍正年製》款

HKD 800,000

800,000 - 1,200,000 HKD

未知

Very good overall condition with only minor firing imperfections.

整體品相良好，僅見窰燒微瑕。

If a condition report is provided to assist you with assessing the condition of the lot, it is for guidance purposes only. Such condition report may not refer to all faults, restoration, alterations, or adaptations because Sotheby's is not a professional conservator or restorer but rather a condition report is a statement of subjective, qualified opinion genuinely held by Sotheby's. For these reasons, any such condition report is not an alternative to taking your own professional advice regarding the condition of the lot. Prospective buyers should also refer to the Guide for Buyers at Auction which includes important notices concerning the type of property in this sale.

26.3 cm
图录
说明：The Yongzheng reign (r. 1723–35) is particularly noted for refined monochromes and archaistic porcelains that closely emulate the forms and glazes of Song ceramics. Their subtle colours and restrained forms reflect the emperor’s literati-inflected taste for classical elegance.
Palace records attest that Song-period originals were sent to Jingdezhen for close reproduction; the court term fang (仿) denotes faithful imitation rather than loose pastiche. Technically impeccable yet deliberately antiquarian in appearance, these porcelains embody a lyrical recreation of a venerable past.
The present piece imitates a celebrated Ru ware from the Northern Song dynasty. Of the six known surviving examples, five are housed in the Taipei Palace Museum; foremost among them is the piece without glaze crackles (accession no. guci-17851).
Qing dynasty imitations such as the present piece are very rare, only two other examples appear to be known: one in the Taipei Palace Museum, and the other in the Beijing Palace Museum. The Taipei example was most likely produced under the supervision of Tang Ying, and bears a Qianlong imperial poem praising Ru ware (accession no. guci-17790). The Beijing example, attributed to the Qianlong period, is described as an imitation of Guan ware (accession no. gu-153271).
雍正一朝（1723–35年）以精緻的單色釉和仿古瓷器聞名，器形與釉色皆悉心摹倣宋代瓷器。其釉色含蓄、器形內斂，正契合雍正皇帝深具文人意趣的古典品味。
清宮檔案記載，當時朝廷曾特地將宋代原器發往景德鎮進行悉心摹製；宮廷官方所說的「仿」字，指的是追求神形俱似的忠實臨摹，而非流於形式的粗率雜糅。這批瓷器工藝完美無瑕，同時刻意追求高古風貌，將悠久歷史轉化為富有詩意的重塑。
本品即是摹倣北宋著名的汝窯傳世重器。現存六件已知器物中，有五件藏於台北故宮博物院；其中最著名的，當屬一件青瓷無紋水仙盆（館藏編號：故瓷-17851）。
如本品這般的清代仿古器物極為罕見，迄今已知者僅另見兩例：一例藏於台北故宮博物院，另一例藏於北京故宮博物院。台北故宮藏品極可能由督陶官唐英督造，器身飾有乾隆皇帝題詠汝窯的御製詩（館藏編號：故瓷-17790）。北京故宮藏品則定為乾隆時期作品，著錄為仿官窯器物（館藏編號：故-153271）。