品相
Good overall condition with just a tiny flake to the mouth rim of one bowl.
整體品相良好,僅見其中一盌口沿一細小毛口。
If a condition report is provided to assist you with assessing the condition of the lot, it is for guidance purposes only. Such condition report may not refer to all faults, restoration, alterations, or adaptations because Sotheby's is not a professional conservator or restorer but rather a condition report is a statement of subjective, qualified opinion genuinely held by Sotheby's. For these reasons, any such condition report is not an alternative to taking your own professional advice regarding the condition of the lot. Prospective buyers should also refer to the Guide for Buyers at Auction which includes important notices concerning the type of property in this sale.
更多信息
each 13.2 cm
图录
说明:Bowls painted in brilliant wucai enamels with a dragon and phoenix among leafy stems were an innovation of the Kangxi period. This auspicious design, which refers to the Emperor and Empress and conveys the wish for a happy marriage, grew in popularity in the succeeding reigns, and were produced through the Daoguang and Xianfeng periods.
Similar Kangxi mark and period bowls of three different sizes from the Nanjing Museum were included in the exhibition Qing Imperial Porcelain of the Kangxi, Yongzheng and Qianlong Reigns, Art Gallery, The Chinese University of Hong Kong, Hong Kong, 1995, cat. no. 26; a pair in the Shanghai Museum, is illustrated in Kangxi Porcelain Wares from the Shanghai Museum Collection, Hong Kong, 1998, pl. 153; a single bowl from the collection of C.P. Lin was included in the exhibition Elegant Form and Harmonious Decoration, Percival David Foundation, London, 1992, cat. no. 121; and a pair was included in the Hong Kong Oriental Ceramic Society exhibition Ch’ing Polychrome Porcelain, Fung Ping Shan Museum, Hong Kong, 1977, cat. no. 32.
For examples sold at auction, see three sold in our New York rooms, 20th March 2019, lot 531; 11th September 2019, lot 877; and 13th September 2017, lot 3. See also one sold in our London rooms, 10th May 2017, lot 228.
此類五彩龍鳳紋碗始於康熙一朝,所飾祥瑞圖案象徵龍鳳呈祥、帝后和諧,寓意婚姻美滿。此一設計於後世備受推崇,歷雍正、乾隆,直至道光、咸豐時期皆有賡續燒製。
南京博物院藏有三件尺寸各異的康熙五彩龍鳳紋碗,曾展出於香港中文大學文物館的《清代康雍乾官窯瓷器展》,香港,1995年,圖錄編號26;上海博物館亦藏有一對,著錄於《上海博物館藏康熙瓷圖錄》,香港,1998年,圖版153;練松柏先生珍藏之單件,曾參展於倫敦大維德中國藝術基金會之《形秀色麗四代珍》,倫敦,1992年,圖錄編號121;此外,另有一對曾亮相於香港東方陶瓷學會主辦、香港大學馮平山博物館舉行的《清代彩瓷》,香港,1977年,圖錄編號32。
拍賣市場上的同類典例,可參考紐約蘇富比售出的三件:分別為2019年3月20日,編號531;2019年9月11日,編號877;及2017年9月13日,編號3。亦可參考倫敦蘇富比售出一例,2017年5月10日,編號228。