Lot 2134 Tamura Suio (fl. 1681-1736), Cherry blossom viewing and pleasure boats, Edo period, early 18th century | 田村水鷗 花見舟遊図巻 江戸時代中期 18世紀前半
落槌价
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成交价
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拍品信息
拍品名称
Tamura Suio (fl. 1681-1736), Cherry blossom viewing and pleasure boats, Edo period, early 18th century | 田村水鷗 花見舟遊図巻 江戸時代中期 18世紀前半
起拍价
HKD 100,000
估值区间
100,000 - 150,000 HKD
尺寸
未知
品相
There is some slight creasing (particularly along the rightmost side by the front paper) consistent with age and the nature of handscrolls being rolled and unrolled repeatedly, as can be seen in the illustrations there is some uneven toning, soiling particularly along the top and bottom edges overall, a few slight marks to the paper elsewhere, a few minute tears along the top and bottom edges with associated repairs, a further tear (approx. 3.5 cm.) near the end paper with expert repair, some small holes that have been patched from the reverse, some slight wear around some of the paper joins.
If a condition report is provided to assist you with assessing the condition of the lot, it is for guidance purposes only. Such condition report may not refer to all faults, restoration, alterations, or adaptations because Sotheby's is not a professional conservator or restorer but rather a condition report is a statement of subjective, qualified opinion genuinely held by Sotheby's. For these reasons, any such condition report is not an alternative to taking your own professional advice regarding the condition of the lot. Prospective buyers should also refer to the Guide for Buyers at Auction which includes important notices concerning the type of property in this sale.
If a condition report is provided to assist you with assessing the condition of the lot, it is for guidance purposes only. Such condition report may not refer to all faults, restoration, alterations, or adaptations because Sotheby's is not a professional conservator or restorer but rather a condition report is a statement of subjective, qualified opinion genuinely held by Sotheby's. For these reasons, any such condition report is not an alternative to taking your own professional advice regarding the condition of the lot. Prospective buyers should also refer to the Guide for Buyers at Auction which includes important notices concerning the type of property in this sale.
更多信息
handscroll: ink, colour and gold on silk, signed Suio hitsu (Brush of Suio), sealed Tokinobu, accompanied by two fitted wood storage boxes
30.7 x 913.3 cm. (when unrolled)
来源：Manno Art Museum, Osaka
展览：Nikuhitsu ukiyo-e ten [Ukiyo-e Paintings], Manno Art Museum, Osaka, 1989. no. 51 (unillustrated).
著录：Manno kinen bunka zaidan, Manno korekushon senshu [Selected Masterpieces from the Manno Collection], Osaka, 1988, pl. 40.
Kaori Hidaka, Zoku Nihon no isho monyo no saijiki [Japanese Design Continued: A Chronicle of Traditional Motifs and Seasonal Themes], vol. 2, Kyoto, 1995, pl. 26.
Kobayashi Tadashi ed., Masterpieces of the Okada Museum of Art, vol. 1, Tokyo, 2019, no. 121.
图录
说明：來源
萬野美術館，大阪
展覽
《肉筆浮世絵展》，萬野美術館，1989年，編號51（沒載圖）
出版
萬野記念文化財団,《萬野コレクション撰集》，大阪，1988年，圖版40
日高 薫,《続・日本の意匠 文様の歳時記》，卷2：春 II，京都，1995年，圖版26
小林忠編，《岡田美術館名品撰》，卷1，東京，2019年，編號121
30.7 x 913.3 cm. (when unrolled)
来源：Manno Art Museum, Osaka
展览：Nikuhitsu ukiyo-e ten [Ukiyo-e Paintings], Manno Art Museum, Osaka, 1989. no. 51 (unillustrated).
著录：Manno kinen bunka zaidan, Manno korekushon senshu [Selected Masterpieces from the Manno Collection], Osaka, 1988, pl. 40.
Kaori Hidaka, Zoku Nihon no isho monyo no saijiki [Japanese Design Continued: A Chronicle of Traditional Motifs and Seasonal Themes], vol. 2, Kyoto, 1995, pl. 26.
Kobayashi Tadashi ed., Masterpieces of the Okada Museum of Art, vol. 1, Tokyo, 2019, no. 121.
图录
说明：來源
萬野美術館，大阪
展覽
《肉筆浮世絵展》，萬野美術館，1989年，編號51（沒載圖）
出版
萬野記念文化財団,《萬野コレクション撰集》，大阪，1988年，圖版40
日高 薫,《続・日本の意匠 文様の歳時記》，卷2：春 II，京都，1995年，圖版26
小林忠編，《岡田美術館名品撰》，卷1，東京，2019年，編號121
常见问题
拍品的品相状况如何？
There is some slight creasing (particularly along the rightmost side by the front paper) consistent with age and the nature of handscrolls being rolled and unrolled repeatedly, as can be seen in the illustrations there is some uneven toning, soiling particularly along the top and bottom edges overall, a few slight marks to the paper elsewhere, a few minute tears along the top and bottom edges with associated repairs, a further tear (approx. 3.5 cm.) near the end paper with expert repair, some small holes that have been patched from the reverse, some slight wear around some of the paper joins.
If a condition report is provided to assist you with assessing the condition of the lot, it is for guidance purposes only. Such condition report may not refer to all faults, restoration, alterations, or adaptations because Sotheby's is not a professional conservator or restorer but rather a condition report is a statement of subjective, qualified opinion genuinely held by Sotheby's. For these reasons, any such condition report is not an alternative to taking your own professional advice regarding the condition of the lot. Prospective buyers should also refer to the Guide for Buyers at Auction which includes important notices concerning the type of property in this sale.
If a condition report is provided to assist you with assessing the condition of the lot, it is for guidance purposes only. Such condition report may not refer to all faults, restoration, alterations, or adaptations because Sotheby's is not a professional conservator or restorer but rather a condition report is a statement of subjective, qualified opinion genuinely held by Sotheby's. For these reasons, any such condition report is not an alternative to taking your own professional advice regarding the condition of the lot. Prospective buyers should also refer to the Guide for Buyers at Auction which includes important notices concerning the type of property in this sale.
这件拍品的流传来源是什么？
Manno Art Museum, Osaka
这件拍品曾在哪些展览中展出过？
Nikuhitsu ukiyo-e ten [Ukiyo-e Paintings], Manno Art Museum, Osaka, 1989. no. 51 (unillustrated).
这件拍品被哪些著录书籍记载？
Manno kinen bunka zaidan, Manno korekushon senshu [Selected Masterpieces from the Manno Collection], Osaka, 1988, pl. 40.
Kaori Hidaka, Zoku Nihon no isho monyo no saijiki [Japanese Design Continued: A Chronicle of Traditional Motifs and Seasonal Themes], vol. 2, Kyoto, 1995, pl. 26.
Kobayashi Tadashi ed., Masterpieces of the Okada Museum of Art, vol. 1, Tokyo, 2019, no. 121.
图录
Kaori Hidaka, Zoku Nihon no isho monyo no saijiki [Japanese Design Continued: A Chronicle of Traditional Motifs and Seasonal Themes], vol. 2, Kyoto, 1995, pl. 26.
Kobayashi Tadashi ed., Masterpieces of the Okada Museum of Art, vol. 1, Tokyo, 2019, no. 121.
图录
