Lot 78116 Qi Baishi (Chinese, 1864-1957), Shrimp
落槌价
预展中
成交价
预展中
| 拍卖公司 | 海瑞得 |
|---|---|
| 拍卖时间 | 2026年09月16日 |
拍品信息
拍品名称
Qi Baishi (Chinese, 1864-1957), Shrimp
年代
1953
起拍价
未知
估值区间
$30,000 - $50,000
尺寸
17 x 58-1/2 inches (43.2 x 148.6 cm) (overall) 13-1/2 x 49-1/2 inches (work) Dated by the artist to his ninety-third year, signed Baishilaoren with three artist's red ink seals, and a collector's seal of Alice Boney
品相
Overall presents well with masterful strokes by Qi Baishi. Marked area of foxing to the left side of paper, along with noticeable foxing to the back of mounting. Otherwise, no other visible condition issues.
更多信息
Ink on paper
齊白石（1864-1957） 《七蝦》 紙本水墨 橫幅 一九五三年作
款識：九十三歲白石老人畫 鈐印：君子之量容人、白石、人長壽
鑑藏印：龐耐珍藏
PROVENANCE: Collection of Alice Boney (1901-1988); Collection of a New York private collector.
Among Qi Baishi's most celebrated subjects, shrimp provided the artist with an ideal vehicle through which to demonstrate the expressive possibilities of ink. In the present work, seven shrimps advance across the paper in loosely organized groups, their translucent bodies articulated through modulated washes and their segmented shells defined with remarkably economical strokes. Fine, sweeping lines describe the antennae and legs, creating a web of rhythmic movement across the otherwise open composition.
Qi's shrimp paintings were grounded in sustained observation. Rather than rendering the creatures through meticulous description, he distilled their anatomy into a highly personal vocabulary of wet and dry brushwork. The bodies are suggested through pale, layered washes, while darker accents define the heads, eyes, and joints. The contrast between the dense ink of the heads and the diluted washes of the bodies conveys both physical substance and the impression of transparency. The long antennae extend beyond the individual forms, linking the shrimp together and animating the surrounding blank space.
The inscription records that the work was painted when Qi Baishi was "93 years old." This corresponds to 1953 under the artist's distinctive system of reckoning his age. Qi generally calculated his age from 1863, the lunar calendar year into which his birth fell, rather than from 1864, his Gregorian birth year. He also used the traditional Chinese system of nominal age, under which a person was considered one year old at birth.
An additional adjustment arose in 1937. According to Qi's autobiography, a fortune-teller warned him of a dangerous passage during his seventy-fifth year. As a means of evading this predicted misfortune, Qi adopted what he called the strategy of "deceiving Heaven and crossing the sea," publicly advancing his stated age from seventy-five to seventy-seven. Consequently, dates assigned to works inscribed with an age of seventy-seven or above are normally calculated by subtracting four years from the stated age.
The work bears the collector's seal of Alice Boney, or Pang Nai (1901-1988), a pioneering New York dealer and collector who began specializing in Chinese art in the 1920s. Boney became a leading authority on Asian art in the United States and helped shape several important American collections; she also served as an early mentor to the celebrated dealer and collector Robert H. Ellsworth. Her particular interest in Qi Baishi is further reflected in her posthumously published essay, "Of Qi Baishi."
More information about Qi Baishi Artist. .
以下内容由AI翻译：
【名称】
1953年齐白石水墨七虾图
【年代】
1953年
【描述】
水墨画
齐白石（1864-1957） 《七虾》 纸本水墨 橫幅 一九五三年作
款識：九十三歲白石老人画 鈐印：君子之量容人、白石、人長寿
鑑藏印：龐耐珍藏
来源：Alice Boney (1901-1988) 收藏；纽约私人收藏家收藏。
虾是齐白石最著名的题材之一，为他提供了展示墨色表现力的理想载体。在这件作品中，七只虾以松散的群体形式横跨纸面，它们透明的身体通过调和的水墨渲染而成，分段的壳则用极其简洁的笔触勾勒出来。细长而流畅的线条描绘了触须和腿，形成了整个开放构图中的节奏感。
齐白石的虾画基于长期的观察。他不是通过细致的描绘来表现这些生物，而是将它们的解剖结构提炼成一种高度个性化的湿笔和干笔技法。身体部分通过淡墨层层渲染，而头部、眼睛和关节则用深墨点缀。头部浓墨与身体淡墨之间的对比既传达了实体感，又表现出透明感。长长的触须延伸到个体形态之外，将虾连接在一起，并使周围的空白空间充满动感。
题跋记录了该作品是在齐白石“93岁”时所绘。根据艺术家独特的年龄计算方法，这对应于1953年。齐白石通常从1863年开始计算他的年龄，即农历出生年份，而不是1864年的公历出生年份。他还使用传统的中国虚岁系统，即人在出生时就算一岁。
1937年还发生了一次调整。据齐白石自传记载，一位算命先生警告他在75岁时会遇到危险。为了避开这一预测的不幸，齐白石采用了所谓的“欺天过海”的策略，公开将自己的年龄从75岁提前到77岁。因此，标注为77岁或以上的作品的年代通常需要减去4年来计算。
作品上盖有Alice Boney（庞耐，1901-1988）的收藏印。庞耐是一位开创性的纽约艺术品商和收藏家，她在20世纪20年代开始专门从事中国艺术品。庞耐成为美国亚洲艺术领域的权威人物，并帮助塑造了几个重要的美国收藏。她也是著名艺术品商和收藏家Robert H. Ellsworth的早期导师。她对齐白石的特别兴趣还体现在她去世后发表的文章《关于齐白石》中。
【品相】
整体呈现良好，齐白石的笔法精湛。纸张左侧有一处明显的斑点，装裱背面也有明显斑点。除此之外，没有其他可见的状况问题。
齊白石（1864-1957） 《七蝦》 紙本水墨 橫幅 一九五三年作
款識：九十三歲白石老人畫 鈐印：君子之量容人、白石、人長壽
鑑藏印：龐耐珍藏
PROVENANCE: Collection of Alice Boney (1901-1988); Collection of a New York private collector.
Among Qi Baishi's most celebrated subjects, shrimp provided the artist with an ideal vehicle through which to demonstrate the expressive possibilities of ink. In the present work, seven shrimps advance across the paper in loosely organized groups, their translucent bodies articulated through modulated washes and their segmented shells defined with remarkably economical strokes. Fine, sweeping lines describe the antennae and legs, creating a web of rhythmic movement across the otherwise open composition.
Qi's shrimp paintings were grounded in sustained observation. Rather than rendering the creatures through meticulous description, he distilled their anatomy into a highly personal vocabulary of wet and dry brushwork. The bodies are suggested through pale, layered washes, while darker accents define the heads, eyes, and joints. The contrast between the dense ink of the heads and the diluted washes of the bodies conveys both physical substance and the impression of transparency. The long antennae extend beyond the individual forms, linking the shrimp together and animating the surrounding blank space.
The inscription records that the work was painted when Qi Baishi was "93 years old." This corresponds to 1953 under the artist's distinctive system of reckoning his age. Qi generally calculated his age from 1863, the lunar calendar year into which his birth fell, rather than from 1864, his Gregorian birth year. He also used the traditional Chinese system of nominal age, under which a person was considered one year old at birth.
An additional adjustment arose in 1937. According to Qi's autobiography, a fortune-teller warned him of a dangerous passage during his seventy-fifth year. As a means of evading this predicted misfortune, Qi adopted what he called the strategy of "deceiving Heaven and crossing the sea," publicly advancing his stated age from seventy-five to seventy-seven. Consequently, dates assigned to works inscribed with an age of seventy-seven or above are normally calculated by subtracting four years from the stated age.
The work bears the collector's seal of Alice Boney, or Pang Nai (1901-1988), a pioneering New York dealer and collector who began specializing in Chinese art in the 1920s. Boney became a leading authority on Asian art in the United States and helped shape several important American collections; she also served as an early mentor to the celebrated dealer and collector Robert H. Ellsworth. Her particular interest in Qi Baishi is further reflected in her posthumously published essay, "Of Qi Baishi."
More information about Qi Baishi Artist. .
以下内容由AI翻译：
【名称】
1953年齐白石水墨七虾图
【年代】
1953年
【描述】
水墨画
齐白石（1864-1957） 《七虾》 纸本水墨 橫幅 一九五三年作
款識：九十三歲白石老人画 鈐印：君子之量容人、白石、人長寿
鑑藏印：龐耐珍藏
来源：Alice Boney (1901-1988) 收藏；纽约私人收藏家收藏。
虾是齐白石最著名的题材之一，为他提供了展示墨色表现力的理想载体。在这件作品中，七只虾以松散的群体形式横跨纸面，它们透明的身体通过调和的水墨渲染而成，分段的壳则用极其简洁的笔触勾勒出来。细长而流畅的线条描绘了触须和腿，形成了整个开放构图中的节奏感。
齐白石的虾画基于长期的观察。他不是通过细致的描绘来表现这些生物，而是将它们的解剖结构提炼成一种高度个性化的湿笔和干笔技法。身体部分通过淡墨层层渲染，而头部、眼睛和关节则用深墨点缀。头部浓墨与身体淡墨之间的对比既传达了实体感，又表现出透明感。长长的触须延伸到个体形态之外，将虾连接在一起，并使周围的空白空间充满动感。
题跋记录了该作品是在齐白石“93岁”时所绘。根据艺术家独特的年龄计算方法，这对应于1953年。齐白石通常从1863年开始计算他的年龄，即农历出生年份，而不是1864年的公历出生年份。他还使用传统的中国虚岁系统，即人在出生时就算一岁。
1937年还发生了一次调整。据齐白石自传记载，一位算命先生警告他在75岁时会遇到危险。为了避开这一预测的不幸，齐白石采用了所谓的“欺天过海”的策略，公开将自己的年龄从75岁提前到77岁。因此，标注为77岁或以上的作品的年代通常需要减去4年来计算。
作品上盖有Alice Boney（庞耐，1901-1988）的收藏印。庞耐是一位开创性的纽约艺术品商和收藏家，她在20世纪20年代开始专门从事中国艺术品。庞耐成为美国亚洲艺术领域的权威人物，并帮助塑造了几个重要的美国收藏。她也是著名艺术品商和收藏家Robert H. Ellsworth的早期导师。她对齐白石的特别兴趣还体现在她去世后发表的文章《关于齐白石》中。
【品相】
整体呈现良好，齐白石的笔法精湛。纸张左侧有一处明显的斑点，装裱背面也有明显斑点。除此之外，没有其他可见的状况问题。
常见问题
这件Qi Baishi (Chinese, 1864-1957), Shrimp的成交价是多少？
落槌价为 预展中。 成交价为 预展中。
拍品的品相状况如何？
Overall presents well with masterful strokes by Qi Baishi. Marked area of foxing to the left side of paper, along with noticeable foxing to the back of mounting. Otherwise, no other visible condition issues.
拍品的尺寸是多少？
17 x 58-1/2 inches (43.2 x 148.6 cm) (overall) 13-1/2 x 49-1/2 inches (work) Dated by the artist to his ninety-third year, signed Baishilaoren with three artist's red ink seals, and a collector's seal of Alice Boney
这件拍品的流传来源是什么？
Alice Boney (1901-1988) 收藏；纽约私人收藏家收藏。
虾是齐白石最著名的题材之一，为他提供了展示墨色表现力的理想载体。在这件作品中，七只虾以松散的群体形式横跨纸面，它们透明的身体通过调和的水墨渲染而成，分段的壳则用极其简洁的笔触勾勒出来。细长而流畅的线条描绘了触须和腿，形成了整个开放构图中的节奏感。
齐白石的虾画基于长期的观察。他不是通过细致的描绘来表现这些生物，而是将它们的解剖结构提炼成一种高度个性化的湿笔和干笔技法。身体部分通过淡墨层层渲染，而头部、眼睛和关节则用深墨点缀。头部浓墨与身体淡墨之间的对比既传达了实体感，又表现出透明感。长长的触须延伸到个体形态之外，将虾连接在一起，并使周围的空白空间充满动感。
题跋记录了该作品是在齐白石“93岁”时所绘。根据艺术家独特的年龄计算方法，这对应于1953年。齐白石通常从1863年开始计算他的年龄，即农历出生年份，而不是1864年的公历出生年份。他还使用传统的中国虚岁系统，即人在出生时就算一岁。
1937年还发生了一次调整。据齐白石自传记载，一位算命先生警告他在75岁时会遇到危险。为了避开这一预测的不幸，齐白石采用了所谓的“欺天过海”的策略，公开将自己的年龄从75岁提前到77岁。因此，标注为77岁或以上的作品的年代通常需要减去4年来计算。
作品上盖有Alice Boney（庞耐，1901-1988）的收藏印。庞耐是一位开创性的纽约艺术品商和收藏家，她在20世纪20年代开始专门从事中国艺术品。庞耐成为美国亚洲艺术领域的权威人物，并帮助塑造了几个重要的美国收藏。她也是著名艺术品商和收藏家Robert H. Ellsworth的早期导师。她对齐白石的特别兴趣还体现在她去世后发表的文章《关于齐白石》中。
【品相】
整体呈现良好，齐白石的笔法精湛。纸张左侧有一处明显的斑点，装裱背面也有明显斑点。除此之外，没有其他可见的状况问题。
虾是齐白石最著名的题材之一，为他提供了展示墨色表现力的理想载体。在这件作品中，七只虾以松散的群体形式横跨纸面，它们透明的身体通过调和的水墨渲染而成，分段的壳则用极其简洁的笔触勾勒出来。细长而流畅的线条描绘了触须和腿，形成了整个开放构图中的节奏感。
齐白石的虾画基于长期的观察。他不是通过细致的描绘来表现这些生物，而是将它们的解剖结构提炼成一种高度个性化的湿笔和干笔技法。身体部分通过淡墨层层渲染，而头部、眼睛和关节则用深墨点缀。头部浓墨与身体淡墨之间的对比既传达了实体感，又表现出透明感。长长的触须延伸到个体形态之外，将虾连接在一起，并使周围的空白空间充满动感。
题跋记录了该作品是在齐白石“93岁”时所绘。根据艺术家独特的年龄计算方法，这对应于1953年。齐白石通常从1863年开始计算他的年龄，即农历出生年份，而不是1864年的公历出生年份。他还使用传统的中国虚岁系统，即人在出生时就算一岁。
1937年还发生了一次调整。据齐白石自传记载，一位算命先生警告他在75岁时会遇到危险。为了避开这一预测的不幸，齐白石采用了所谓的“欺天过海”的策略，公开将自己的年龄从75岁提前到77岁。因此，标注为77岁或以上的作品的年代通常需要减去4年来计算。
作品上盖有Alice Boney（庞耐，1901-1988）的收藏印。庞耐是一位开创性的纽约艺术品商和收藏家，她在20世纪20年代开始专门从事中国艺术品。庞耐成为美国亚洲艺术领域的权威人物，并帮助塑造了几个重要的美国收藏。她也是著名艺术品商和收藏家Robert H. Ellsworth的早期导师。她对齐白石的特别兴趣还体现在她去世后发表的文章《关于齐白石》中。
【品相】
整体呈现良好，齐白石的笔法精湛。纸张左侧有一处明显的斑点，装裱背面也有明显斑点。除此之外，没有其他可见的状况问题。
