![An enamelled stoneware bowl, signed Kenzan sei sho (Ogata Kenzan, 1663–1743) and kao [cursive monogram], Kenzan ware, Kyoto, Edo period, 18th century | 形乾山 色絵宇津山（蔦細道）図鉢 江戸時代中期 18世紀初頭中期「乾山」（銹絵銘） - 图1](https://bdcdn.duobao9.com/img/26/08/18/50/lot_11390009459_0.jpg@w_800,q_90)
![An enamelled stoneware bowl, signed Kenzan sei sho (Ogata Kenzan, 1663–1743) and kao [cursive monogram], Kenzan ware, Kyoto, Edo period, 18th century | 形乾山 色絵宇津山（蔦細道）図鉢 江戸時代中期 18世紀初頭中期「乾山」（銹絵銘） - 图2](https://bdcdn.duobao9.com/img/26/08/18/56/lot_11390009525_1.jpg@w_800,q_90)
![An enamelled stoneware bowl, signed Kenzan sei sho (Ogata Kenzan, 1663–1743) and kao [cursive monogram], Kenzan ware, Kyoto, Edo period, 18th century | 形乾山 色絵宇津山（蔦細道）図鉢 江戸時代中期 18世紀初頭中期「乾山」（銹絵銘） - 图3](https://bdcdn.duobao9.com/img/26/08/18/62/lot_11390009581_2.jpg@w_800,q_90)
![An enamelled stoneware bowl, signed Kenzan sei sho (Ogata Kenzan, 1663–1743) and kao [cursive monogram], Kenzan ware, Kyoto, Edo period, 18th century | 形乾山 色絵宇津山（蔦細道）図鉢 江戸時代中期 18世紀初頭中期「乾山」（銹絵銘） - 图4](https://bdcdn.duobao9.com/img/26/08/18/67/lot_11390009637_3.jpg@w_800,q_90)
Lot 2028 An enamelled stoneware bowl, signed Kenzan sei sho (Ogata Kenzan, 1663–1743) and kao [cursive monogram], Kenzan ware, Kyoto, Edo period, 18th century | 形乾山 色絵宇津山（蔦細道）図鉢 江戸時代中期 18世紀初頭中期「乾山」（銹絵銘）
落槌价
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成交价
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拍品信息
拍品名称
An enamelled stoneware bowl, signed Kenzan sei sho (Ogata Kenzan, 1663–1743) and kao [cursive monogram], Kenzan ware, Kyoto, Edo period, 18th century | 形乾山 色絵宇津山（蔦細道）図鉢 江戸時代中期 18世紀初頭中期「乾山」（銹絵銘）
起拍价
HKD 50,000
估值区间
50,000 - 80,000 HKD
尺寸
未知
品相
There is vertical hairline from the mouth (approx. 2.2cm that has been slightly re-touched, minor kiln frits and firing imperfections.
If a condition report is provided to assist you with assessing the condition of the lot, it is for guidance purposes only. Such condition report may not refer to all faults, restoration, alterations, or adaptations because Sotheby's is not a professional conservator or restorer but rather a condition report is a statement of subjective, qualified opinion genuinely held by Sotheby's. For these reasons, any such condition report is not an alternative to taking your own professional advice regarding the condition of the lot. Prospective buyers should also refer to the Guide for Buyers at Auction which includes important notices concerning the type of property in this sale.
If a condition report is provided to assist you with assessing the condition of the lot, it is for guidance purposes only. Such condition report may not refer to all faults, restoration, alterations, or adaptations because Sotheby's is not a professional conservator or restorer but rather a condition report is a statement of subjective, qualified opinion genuinely held by Sotheby's. For these reasons, any such condition report is not an alternative to taking your own professional advice regarding the condition of the lot. Prospective buyers should also refer to the Guide for Buyers at Auction which includes important notices concerning the type of property in this sale.
更多信息
the deep bowl on ring foot, painted in coloured underglaze enamels on a finely crackled cream ground under a transparent glaze, depicting the Narrow Ivy Road through Mount Utsu (Utsuyama), with maple trees overhanging the steep mountain pass
8.5 cm. high; 12 cm. diam.
展览：Kenzan no togei [Ceramics of Kenzan], The Gotoh Museum, Tokyo, 1987, cat. no. 132.
Rimpa meihinten [Rimpa: The Debut of Essential Rimpa Masterpieces in the Okada Museum of Art Collection], Mitsukoshi (Nihonbashi), Tokyo, 2015, cat. no. 36.
Rimpa no seika [The Essence of Rimpa], Okada Museum of Art, Hakone, 2015, cat. no. 41
著录：Tadanari Mitsuoka, Toji taikei [Compendium of Ceramics], vol. 24, Tokyo, 1973, pls. 44-45.
Tadanari Mitsuoka, Nihon toji taikei [A Compendium of Japanese Ceramics], vol. 24, Tokyo 1989, pl. 13.
图录
说明：展覽
《乾山の工芸》，五島美術館，東京，1987年，編號132
《琳派名品展》，三越（日本橋），東京，2015年，編號36
《琳派の精華》，岡田美術館，箱根，2015年，編號41
出版
滿岡忠成，《陶瓷大系》，卷24， 東京，1973年，圖版44-45
滿岡忠成，《日本陶瓷大系》，卷24， 東京，1989年，圖版13
8.5 cm. high; 12 cm. diam.
展览：Kenzan no togei [Ceramics of Kenzan], The Gotoh Museum, Tokyo, 1987, cat. no. 132.
Rimpa meihinten [Rimpa: The Debut of Essential Rimpa Masterpieces in the Okada Museum of Art Collection], Mitsukoshi (Nihonbashi), Tokyo, 2015, cat. no. 36.
Rimpa no seika [The Essence of Rimpa], Okada Museum of Art, Hakone, 2015, cat. no. 41
著录：Tadanari Mitsuoka, Toji taikei [Compendium of Ceramics], vol. 24, Tokyo, 1973, pls. 44-45.
Tadanari Mitsuoka, Nihon toji taikei [A Compendium of Japanese Ceramics], vol. 24, Tokyo 1989, pl. 13.
图录
说明：展覽
《乾山の工芸》，五島美術館，東京，1987年，編號132
《琳派名品展》，三越（日本橋），東京，2015年，編號36
《琳派の精華》，岡田美術館，箱根，2015年，編號41
出版
滿岡忠成，《陶瓷大系》，卷24， 東京，1973年，圖版44-45
滿岡忠成，《日本陶瓷大系》，卷24， 東京，1989年，圖版13
常见问题
拍品的品相状况如何？
There is vertical hairline from the mouth (approx. 2.2cm that has been slightly re-touched, minor kiln frits and firing imperfections.
If a condition report is provided to assist you with assessing the condition of the lot, it is for guidance purposes only. Such condition report may not refer to all faults, restoration, alterations, or adaptations because Sotheby's is not a professional conservator or restorer but rather a condition report is a statement of subjective, qualified opinion genuinely held by Sotheby's. For these reasons, any such condition report is not an alternative to taking your own professional advice regarding the condition of the lot. Prospective buyers should also refer to the Guide for Buyers at Auction which includes important notices concerning the type of property in this sale.
If a condition report is provided to assist you with assessing the condition of the lot, it is for guidance purposes only. Such condition report may not refer to all faults, restoration, alterations, or adaptations because Sotheby's is not a professional conservator or restorer but rather a condition report is a statement of subjective, qualified opinion genuinely held by Sotheby's. For these reasons, any such condition report is not an alternative to taking your own professional advice regarding the condition of the lot. Prospective buyers should also refer to the Guide for Buyers at Auction which includes important notices concerning the type of property in this sale.
这件拍品曾在哪些展览中展出过？
Kenzan no togei [Ceramics of Kenzan], The Gotoh Museum, Tokyo, 1987, cat. no. 132.
Rimpa meihinten [Rimpa: The Debut of Essential Rimpa Masterpieces in the Okada Museum of Art Collection], Mitsukoshi (Nihonbashi), Tokyo, 2015, cat. no. 36.
Rimpa no seika [The Essence of Rimpa], Okada Museum of Art, Hakone, 2015, cat. no. 41
Rimpa meihinten [Rimpa: The Debut of Essential Rimpa Masterpieces in the Okada Museum of Art Collection], Mitsukoshi (Nihonbashi), Tokyo, 2015, cat. no. 36.
Rimpa no seika [The Essence of Rimpa], Okada Museum of Art, Hakone, 2015, cat. no. 41
这件拍品被哪些著录书籍记载？
Tadanari Mitsuoka, Toji taikei [Compendium of Ceramics], vol. 24, Tokyo, 1973, pls. 44-45.
Tadanari Mitsuoka, Nihon toji taikei [A Compendium of Japanese Ceramics], vol. 24, Tokyo 1989, pl. 13.
图录
Tadanari Mitsuoka, Nihon toji taikei [A Compendium of Japanese Ceramics], vol. 24, Tokyo 1989, pl. 13.
图录
